dimanche 30 novembre 2014
Charles Marville Avenue de l’Opéra Paris 1875s
Charles Marville
Avenue de l’Opéra
Paris 1875s
url: http://netlex.tumblr.com/post/103970766275 by Netlex
samedi 29 novembre 2014
Kids playing on the Lower East Side, New York, 1963. By William...
Kids playing on the Lower East Side, New York, 1963. By William Carter
url: http://netlex.tumblr.com/post/103896658087 by Netlex
Summer Of Love Music Festival, San Francisco, Oct. 12, 1969
Summer Of Love Music Festival, San Francisco, Oct. 12, 1969
url: http://netlex.tumblr.com/post/103880954548 by Netlex
‘long hair is communism’, circa 1960s....
‘long hair is communism’, circa 1960s. (http://www.tsutpen.blogspot.com)
url: http://netlex.tumblr.com/post/103878879851 by Netlex
vendredi 28 novembre 2014
jeudi 27 novembre 2014
theparisreview: And your ashes blew to breathfor what was death...
And your ashes blew to breath
for what was death but words
to break the tree and rock
but still the leaves fell
like what alphabet
to make you my muse in that dark—Hugh Seidman, from “Ars Poetica”
Photography Credit Thomas Prior
url: http://ift.tt/1uL65fl by Netlex
orphanwork: Photographie expérimentale, Prise de vue sans...
Photographie expérimentale, Prise de vue sans caméra, vers 1960-1970
url: http://ift.tt/1rpIdTX by Netlex
asylum-art: These large scale works by painter Adam Daily are...
These large scale works by painter Adam Daily are acrylic paint applied to a sheet of white PVC plastic which enhances the vibrant colors.
Building on my interest in the interaction between paintings and the spaces they inhabit, my recent works are geometric explorations of color, shape, and space. These paintings are two-dimensional surfaces with the sculptural power to push and pull their environment. Chromatic intensity, distorted isometric perspective and high contrast are all key to their visual punch. Complicated, multi-layer drawings are the starting points for these paintings. Each finished piece relies on a preparatory drawing composed of hundreds of individual shapes. The drafting and editing process allows for variation and play. By manipulating shapes and colors, I create dynamic compositional interactions. The finished paintings are created on a sheet of white PVC plastic. This synthetic, smooth, bright white ground allows for a physically flat painted surface yielding intensely vivid colors. Through a methodical process I am able to build an image that deepens in complexity as I work. Since each individual geometric form is intrinsically linked to the whole, it is not until the last color is laid-in that previously disparate shapes coalesce into a finished whole. Once flat areas of color snap into place, forming illusory, dimensional space.
url: http://ift.tt/1yknBNp by Netlex