lundi 23 décembre 2013
samedi 30 novembre 2013
dimanche 26 mai 2013
mercredi 15 mai 2013
dimanche 31 mars 2013
Roma Bridge, Ronda, Spain (by Edward L. Zhao) “The spectacle...
Roma Bridge, Ronda, Spain (by Edward L. Zhao)
“The spectacle of this city, sitting on the bulk of two rocks rent asunder by a pickaxe and separated by the narrow, deep gorge of the river, corresponds very well to the image of that city revealed in dreams. The spectacle of this city is indescribable and around it lies a spacious valley with cultivated plots of land, holly and olive groves. And there in the distance, as if it had recovered all its strength, the pure mountains rise, range after range, forming the most splendid background.”
Rainer Maria Rilke (1875-1926)
url: http://netlex.tumblr.com/post/46780282881 by Netlex
lundi 11 mars 2013
dimanche 10 mars 2013
Florida State University’s course on circus performance (Loomis...
Florida State University’s course on circus performance
(Loomis Dean. 1952)
url: http://netlex.tumblr.com/post/45027884180 by Netlex
samedi 9 mars 2013
vendredi 22 février 2013
samedi 9 février 2013
Image from Hitchcock’s Vertigo (1958). Text spoken by the...
Image from Hitchcock’s Vertigo (1958).
Text spoken by the narrator in Chris Marker’s Sans Soleil (1983):
He wrote me that only one film had been capable of portraying impossible memory — insane memory: Alfred Hitchcock’s Vertigo. In the spiral of the titles he saw time covering a field ever wider as it moved away, a cyclone whose present moment contains, motionless, the eye.In San Francisco he had made his pilgrimage to all the film’s locations: the florist Podesta Baldocchi, where James Stewart spies on Kim Novak — he the hunter, she the prey. Or was it the other way around? The tiles hadn’t changed.
He had driven up and down the hills of San Francisco where Jimmy Stewart, Scotty, follows Kim Novak, Madeline. It seems to be a question of trailing, of enigma, of murder, but in truth it’s a question of power and freedom, of melancholy and dazzlement, so carefully coded within the spiral that you could miss it, and not discover immediately that this vertigo of space in reality stands for the vertigo of time.
He had followed all the trails. Even to the cemetery at Mission Dolores where Madeline came to pray at the grave of a woman long since dead, whom she should not have known. He followed Madeline — as Scotty had done — to the Museum at the Legion of Honor, before the portrait of a dead woman she should not have known. And on the portrait, as in Madeline’s hair, the spiral of time.
url: http://netlex.tumblr.com/post/42661696196 by Netlex
jeudi 17 janvier 2013
“Margaret Bourke-White preparing to take a picture from high...
“Margaret Bourke-White preparing to take a picture from high atop a NYC building in 1931”
url: http://netlex.tumblr.com/post/40829509473 by Netlex
mardi 25 décembre 2012
Image from Hitchcock’s Vertigo (1958) Text spoken by the...
Image from Hitchcock’s Vertigo (1958)
Text spoken by the narrator in Chris Marker’s Sans Soleil (1983):
He wrote me that only one film had been capable of portraying impossible memory — insane memory: Alfred Hitchcock’s Vertigo. In the spiral of the titles he saw time covering a field ever wider as it moved away, a cyclone whose present moment contains, motionless, the eye.In San Francisco he had made his pilgrimage to all the film’s locations: the florist Podesta Baldocchi, where James Stewart spies on Kim Novak — he the hunter, she the prey. Or was it the other way around? The tiles hadn’t changed.
He had driven up and down the hills of San Francisco where Jimmy Stewart, Scotty, follows Kim Novak, Madeline. It seems to be a question of trailing, of enigma, of murder, but in truth it’s a question of power and freedom, of melancholy and dazzlement, so carefully coded within the spiral that you could miss it, and not discover immediately that this vertigo of space in reality stands for the vertigo of time.
He had followed all the trails. Even to the cemetery at Mission Dolores where Madeline came to pray at the grave of a woman long since dead, whom she should not have known. He followed Madeline — as Scotty had done — to the Museum at the Legion of Honor, before the portrait of a dead woman she should not have known. And on the portrait, as in Madeline’s hair, the spiral of time.
url: http://netlex.tumblr.com/post/38821150009 by Netlex